Until now I had been using Adobe After Effects because the image quality was better but that’s no longer the case. Adobe After Effects CC still does not support the GPU for render tasks so Resolve is much better for transcoding DNG to ProRes at almost double realtime speed. However if you’re a Premiere or FCPX user and just want to use Resolve to convert raw to ProRes and apply a LUT, performance is frankly incredible. That compares to 2fps in After Effects CC!Įditing is greatly improved in Resolve, we now have full audio track support on the timeline for example. Even on a modest $200 NVidia card with CUDA I have seen 40fps render times from DNG raw to ProRes. It now does so on both NVidia and AMD cards with GPU acceleration. Resolve 10 does realtime playback of 1080/24p DNG raw from the 5D Mark III. No more slow ProRes transcoding, or round trips to After Effects. You have a very fast conversion from the master raw files to DNG using “raw2DNG” in one step. Image quality has improved with a new debayering engine in Resolve 10, performance is amazing and Cinema DNG support has been broadened to support even standard DNG sequences made with Magic Lantern’s “raw2DNG” converter. This LUT gives you a more film-like image, a less harsh electronic look compared to the standard Rec.709 colour space and default settings. It gives you more detail in the highlights and a smoother more natural feel to colour. With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof.ĮOSHD Film LUT is an instant cinema style which quickly and easily improves the look of 5D Mark III raw video in Resolve 10. No grading skills required. For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid
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